Showing posts with label LAUIL603 Extended Practice. Show all posts
Showing posts with label LAUIL603 Extended Practice. Show all posts

Wednesday, 16 May 2018

PROJECT REPORT

I started this module with big ambitions - I aimed to undertake a large range of different briefs, some self-initiated and other live/competition briefs. I identified in my statement of intent that I wanted to step out of my comfort zone a bit more this year, by not focusing only on comics, but also my other interests, such as music. I wanted to enter the Hookworms gig poster brief, Secret 7” and initiate other music-based projects, such as a series of posters for gigs in Leeds, or an animated music video, since I’d enjoyed experimenting with this during Level 5.

However, despite my ambitions, I struggled to manage my time effectively to complete everything I’d wanted to. I spent most of the first semester focusing on Context of Practice, and didn’t start many of my Extended Practice briefs until the second. Because of this, I haven’t achieved as much as I would have liked this year, or attempted the briefs I thought I’d do, but have still completed a range of briefs; large and small, self-initiated and client-set. Since Level 4 I’ve identified three main themes within my practice: character, narrative and humour. I’ve continued to develop and incorporate these into my work through the briefs I completed, as well as pushing myself to build my digital skills and time management.

Although I managed my time poorly at the beginning of the year, with time pressure of deadlines I was able to complete work to a decent standard under that pressure. This was particularly evident with the summer ball poster I produced within the day’s turnaround. I have also identified what kind of brief I like and am best at working to: self-initiated. I lost my passion for drawing during the year, forgetting my need to be in control of my own creativity and attempting to respond to briefs that were not appropriate for me. I enjoy working much more when it is a brief I have set myself, although I do need to keep my time better. I started drawing zines about my mental health, initially just for me personally, outside of uni, but once I’d finished one I realised I had set myself a brief without noticing. My practice is very personal - even narratives I create with the intention of sharing, like Doom Mates, have my own injection of humour and personality in them.

This course has taught me, finally, that I don’t want to be a professional freelance illustrator. I have ambitions to one day own a shop/gallery space similar to Colours May Vary, that I can curate myself, as I much prefer being my own boss. But, I also have ambitions to become a graphic novelist alongside this, pitching my concepts to publishers in my own time and not working to anyone else’s vision.

In spite of my rocky start (and middle) to Level 6, I feel that this year has actually taught me the most about who I am (or am not) as an artist, and has enabled me to re-discover my passion and strengths and identify my limitations (and accept them). I feel more confident progressing to the next stage of my life knowing that I can create work in my own time to my own standards.

DESIGN BOARDS & PROJECT REPORT

Saturday, 5 May 2018

Summer Ball Afterparty Poster!




I planned to submit a similar design for the actual summer ball poster (with more formal type) but didn't plan my time well enough to meet the deadline. 

BUT, I had a day to complete this poster as they needed a poster for it ASAP, and I'm happy with what I've done!

It's quite rough but for a day's work, not bad. Plus I got to play around with Kyle Webster's brushes on Photoshop a bit more. I actually enjoyed working to this brief, as it was quite open and I could pretty much do what I wanted with it. It also shows how well I can work to time pressure (eventually).

Friday, 27 April 2018

Self Portrait 2 development

I started drawing a simple self-portrait but then had the idea to create a series inserting myself into famous work of art:

  • Molly with Pearl Earring
  • The Birth of Molly
  • The Creation of Molly
  • Internal Scream
  • Mophelia

Friday, 16 March 2018

27 Club Exhibition!


My piece in the exhibition! It was commended by Connor Campbell of It's Nice That.

I enjoyed doing this simple open brief - I could have been more conceptual and innovative with it but I enjoyed going back to analogue media and just having a bit of fun with it.

Saturday, 3 February 2018

Submission Rebriefing

We had the rebriefing today and honestly I've not really done anything for this module yet, because I've been preoccupied with CoP. But now that's over I can finally get down to business!

I've decided not to do the Hookworms brief for a few reasons:

  • Time constraints
  • I don't actually really like their music that much, so I'm finding it hard to think of ideas.
  • Louis did some amazing work for them already and I feel the kind of style they go with isn't really what I do.

BUT, I've been thinking of other options:
  • A comic cookbook - a short, simple 'cookbook' illustrated with funny comics that could be instructional or at least contextual (related to cooking). I like cooking and have a few simple recipes I can make well - I'd like to share that in an accessible way, aimed at students who just eat pasta and ready meals etc, because cooking can be fun as well as nutritious.
  • Webcomics - I've set up an Instagram account separate to my main one to start putting short comics on. I've done a couple simple ones, just focusing on ideas:


Saturday, 25 November 2017

STATEMENT OF INTENT

BRIEFS

  • Hookworms gig poster
  • Jonathan Cape comic competition
  • Webcomic series
  • Gig poster series
  • Music video storyboards
  • Graphic novel proposal/concept boards/first chapter
  • Series of self-portraits

RATIONALE

I want to push myself more this year to do things outside of my comfort zone. I want to focus on other interests, like music, aside from comics, so I will undertake the Hookworms brief and perhaps a series of other gig posters of events I want to go to/have been to in Leeds. 

Character, narrative and humour are the most important things in my practice, so I will only do briefs that enable me to incorporate these. 

I'm hoping to plan my time better this year - I've written down the dates of all the brief deadlines (in sketchbook) and will create an action plan and timetable of work. I need to plan my time especially well for the self-directed briefs, as I have to set my own deadlines, which I've not been great with in the past. I'd like to improve my digital skills as well, and maybe experiment more with traditional processes like screenprinting for the gig posters.

Monday, 23 October 2017

Artist Research: Cari Vander

Ugly Face Wednesdays


Cari Vander photographed a series of self-portraits. 
They're playful and not serious!

I'd like to do something like this for a self-initiated project:
Have a dedicated day to draw a portrait (I like drawing people/characters) of me or someone else(s?)

Sunday, 22 October 2017

Task: Thought Experiment


My practice is all about character and narrative. When doodling I'll usually draw girls and create female characters. I also prefer drawing with pen on paper, rather than using a tablet. Even though I'm a perfectionist, I like the fluidity and personality you can achieve with hand drawn lines. I also feel pressure to work digitally as many comic artists do.

I'm scared of failure and not being "good enough", either to my own standards or to others'. This makes me procrastinate on work if I don't think I can 'get it right' first time.

I like using 'messy' analogue media, but I often avoid it during briefs because it's time consuming and there's less margin for error unlike digital. And because I procrastinate a lot, working digitally allows me to correct errors easily. I do still find Photoshop a bit overwhelming though!

I drew this portrait going back to analogue media, which I haven't used for a while, and chose to create a male character, as I don't often draw men. I wanted to use inks to loosen myself up a bit and try not to worry so much about so-called perfection.